Large black point

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Hello all,
I'm in the process of scanning a family archive of (infamously lousy) Kodak 
Discs. I scan the whole disc at once and I wrote a script to extract the 
images (soon to be on my site). As such the scans need to have the black 
point very high as most of the raw scan is black (there's only a narrow ring 
of real images). I cut off the inner core with a blade to avoid white point 
issues.

Is there a better way to scan the damn thing than to set the black point to 
60% or such ? I always adjust it manually and then do a post-processing of 
the individual images, but I'm trying to find the best workflow.
-- 
Guillaume Dargaud
http://www.gdargaud.net/

0
Reply use_my_web_form (7) 11/8/2009 8:17:33 PM

Guillaume Dargaud <use_my_web_form@www.gdargaud.net> wrote in
news:4af72739$0$24645$426a74cc@news.free.fr: 

> Hello all,
> I'm in the process of scanning a family archive of (infamously lousy)
> Kodak Discs. I scan the whole disc at once and I wrote a script to
> extract the images (soon to be on my site). As such the scans need to
> have the black point very high as most of the raw scan is black
> (there's only a narrow ring of real images). I cut off the inner core
> with a blade to avoid white point issues.
> 
> Is there a better way to scan the damn thing than to set the black
> point to 60% or such ? I always adjust it manually and then do a
> post-processing of the individual images, but I'm trying to find the
> best workflow. 

The best workflow and least amount of image exposure errors may be if you  
select each image on the disc, instead of trying to scan the whole disc 
at once. Use the marquee to select just one image.

You would have much more control over the exposure, your window of good 
image would not be so narrow. Use the scanner's auto exposure. If you cut 
out all of the background (the white disc) auto exposure will work much 
better.

It would be a slow way to scan the images, but I think you will pick 
speed once you get the technique down.

Ignore the script a few times and see how the images turn out.

-- 
CSM1
http://www.carlmcmillan.com
--
0
Reply CSM1 11/8/2009 9:58:29 PM


In my experience, trying to scan multiple images give poor quality. 
Crop down to one single image (image only), then you can set your 
exposure parameters properly for that image and only that image. 
Unfortunately, it's going to take a lot more time to scan your images 
that way.


Guillaume Dargaud wrote:
> Hello all,
> I'm in the process of scanning a family archive of (infamously lousy) Kodak 
> Discs. I scan the whole disc at once and I wrote a script to extract the 
> images (soon to be on my site). As such the scans need to have the black 
> point very high as most of the raw scan is black (there's only a narrow ring 
> of real images). I cut off the inner core with a blade to avoid white point 
> issues.
> 
> Is there a better way to scan the damn thing than to set the black point to 
> 60% or such ? I always adjust it manually and then do a post-processing of 
> the individual images, but I'm trying to find the best workflow.
0
Reply Barry 11/8/2009 11:56:14 PM

I know you are both right about it being better to directly scan the image, 
and that's how I proceed with other kinds of negatives (I never even use 
batch scanning options), but those Kodak discs are just too annoying to 
manipulate. I would need to rotate it each time by hand on a flatbed 
surface: an impossible task without several attempts for each frame to get 
the alignement at less than 1 degree.

BTW, for those interested here's the shell/ImageMagick script I use to split 
the scan of the disc in its constituent images:
http://www.gdargaud.net/Photo/KodakDiskScan.html
-- 
Guillaume Dargaud
http://www.gdargaud.net/


0
Reply Guillaume 11/9/2009 2:17:47 PM

CSM1 wrote:

> The best workflow and least amount of image exposure errors may be if you
> select each image on the disc, instead of trying to scan the whole disc
> at once. Use the marquee to select just one image.
> 
> You would have much more control over the exposure, your window of good
> image would not be so narrow. Use the scanner's auto exposure. If you cut
> out all of the background (the white disc) auto exposure will work much
> better.

I'm curious to know whether it's possible to select one image and use auto
exposure to calibrate the scanner and then use the same exposure to scan
all of the whole discs (assuming all the negatives have the same average
exposure - if not then you could divide them into light and dark images and
scan them in 2 batches calibrating exposure for each set).


0
Reply Nigel 11/14/2009 12:10:30 AM

Nigel Feltham <nigel.feltham@btinternet.com> wrote in
news:eZ6dnYuXvorraGDXnZ2dnUVZ8mdi4p2d@brightview.co.uk: 

> CSM1 wrote:
> 
>> The best workflow and least amount of image exposure errors may be if
>> you select each image on the disc, instead of trying to scan the
>> whole disc at once. Use the marquee to select just one image.
>> 
>> You would have much more control over the exposure, your window of
>> good image would not be so narrow. Use the scanner's auto exposure.
>> If you cut out all of the background (the white disc) auto exposure
>> will work much better.
> 
> I'm curious to know whether it's possible to select one image and use
> auto exposure to calibrate the scanner and then use the same exposure
> to scan all of the whole discs (assuming all the negatives have the
> same average exposure - if not then you could divide them into light
> and dark images and scan them in 2 batches calibrating exposure for
> each set). 
> 
> 

It may be possible, but you can not do another Preview. You lose all 
setting in preview.

I think you would be blind in positioning the disc.

I doubt that auto exposure would work, you would more likely have to do 
Manual exposure.

Now if you can up with a mask that fit the disc image, you could then 
position the disc over the cutout in the mask.
 

If you leave a calibration slot in your homemade mask, that might work.

-- 
CSM1
http://www.carlmcmillan.com
--
0
Reply CSM1 11/14/2009 5:47:00 AM

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